Barbie for President: Celebrating the 25th Anniversary of the White House Project and the Influence of Women in Leadership

Over the past 30 years, I have served the political arena in several roles—as an elected official, healthcare advocate, and most recently as a public affairs consultant. On panels and at events I’ve attended throughout my career, I’ve consistently heard the age-old question: “Can women have it all?” It’s a question that challenges women, who so often feel stuck when seeking a manageable balance between their personal lives and their careers.

It’s a question Marie Wilson hoped to address 25 years ago when she founded The White House Project, an initiative dedicated to increasing the number of women in leadership roles.

Weekend Reading on Women’s Representation: Black Women’s Priorities Ahead of 2024 Election; European Commission Urges Women’s Inclusion in Politics

Weekend Reading for Women’s Representation is a compilation of stories about women’s representation. 

This week: Pay equity is low in Biden’s administration; Black women’s priorities for the 2024 presidential election; the European Commission on the need for parity; the California primaries are a beacon of hope for increased representation in the state legislature; ranked-choice voting shouldn’t just be used to determine Oscar winners; and more.

Barbie’s Existential Crisis and the Fight for Reproductive Justice

Some will call it sacrilege for us to compare Barbie, a film that appears to celebrate artificiality and superficiality, with the deeply noir multiple award-winning film many say is the greatest of all time, Citizen Kane. However, we suggest that both films are owed acclaim for the risks their directors took in broaching the most anxiety-provoking of all human concerns: death. 

Barbie the doll depicts the central thesis of our work as feminist social psychologists: that fear of death that undergirds the control of women and their bodies, and women’s own efforts to conform to societal expectations for their bodily control.

An Open Letter to Women’s Magazine Editors: It’s Time to Save Reproductive Rights

Right-wing politicians like Ron DeSantis are ranting about the “woke” media, yet most women’s sites today stick to “traditional” female topics: beauty, shopping, fashion, shopping, relationship issues and more shopping.

Perusing the happy headlines featured on women’s media sites, their readers would have no idea that abortion bans have demolished the rights of women in 21 states, nor that the maternal mortality rate has spiked in those states. Are women’s digital media site editors living in a Barbieland bubble?

Jo Koy’s Golden Globes Monologue Was Full of Tired Sexism and Racism

On Sunday, Jan. 7, the annual Golden Globe Awards aired live from Los Angeles. From Barbie vs. Oppenheimer, to Timothée Chalamet vs. Nicholas Cage, this night had a lot of steep competition. But many could not have predicted the biggest “beef” to occur on that stage: host Jo Koy vs. everybody else.

Many critics, viewers and audience members sitting in the Beverly Hilton were not impressed with the opening monologue by the 52-year-old comedian, finding his jokes sexist or just unfunny.

The Most-Read Ms. Stories of 2023

Ms. readers are fed up. You know how I know? Your reading patterns. I know we are tired. I’m tired too. But I’m so glad you brought those big feelings to Ms. And just know: Your rage, your activism and your voice are making a difference.

Explore the most popular articles published this year on MsMagazine.com.

2023’s Top Feminist Moments in Pop Culture

In a year when women seemed to dominate both culturally and economically, it was not hard to find many feminist moments in pop culture that defined 2023.

Here are our top 10 favorites—including Rihanna’s historic Super Bowl performance; breakthroughs for women in TV, film and music; iconic moments in women’s leadership, and more.

In the Summer of ‘Barbie’ and ‘Renaissance,’ Will All Women Finally Get the Recognition They Deserve?

Currently, three women—Barbie, Beyoncé, and Taylor Swift—seem to be running the world, or at least the economy judging by record-shattering tour and box office revenues. But, as in the case of Beyoncé and other female artists of color, this success does not translate to deserved recognition from prestigious institutions.  

“The message young women absorb is that unless you are a one-in-a-generation talent like Lauryn Hill or Whitney Houston, female artists of color can kiss goodbye any hope of wide-scale recognition by the Recording Academy.”