
To ring in the new year, we asked a few of our favorite feminists—reproductive justice advocates, scholars, legal minds, voting rights activists, Ms. staffers and environmental justice experts—what they are wishing for in 2023.
The Ms. community, family, friends and colleagues recently said goodbye to R. Dianne Bartlow—professor, scholar, feminist writer, Emmy-winning producer and director. She’s left too soon, at the age of 67 after a short battle with lung cancer.
I remember Dianne for her easygoing temperament and her patience. Dianne was humble and down-to-earth, which is why I was surprised to learn of her accomplishments as an award-winning television writer-producer.
Each month, I provide Ms. readers with a list of new books being published by writers from historically excluded groups—to do my part in the disruption of what has been the acceptable “norm” in the book world for far too long (white, cis, heterosexual, male); and to amplify indie publishers and amazing works by writers who are women, Black, Indigenous, Latinx, APIA/AAPI, international, queer, trans, nonbinary, disabled, fat, immigrant, Muslim, neurodivergent, sex-positive or of other historically marginalized identities—you know, the rest of us.
Make some time to read one or two of these 30 new books, or whatever goes well with your pumpkin spice latte or hot apple cider.
Renaissance, Beyoncé’s seventh solo album, offers a much different vibe and one that also represents an intergenerational inheritance engulfed in the pleasures of Black dance music vibrating across the various subcultures of Black communities around the world.
Black women—across genders, sexualities and communities—have been the blueprint, and Beyoncé’s Renaissance proves that.
In a world where the meaning of “feminism” is increasingly being questioned by those on both the right and the left, a thoughtful contemplative examination of the term’s history and future can be hard to find. But the Oakland Museum of California’s “Hella Feminist” exhibition does just that.
(“Hella Feminist” is on view at the Oakland Museum of California in Oakland, California from July 2022-January 2023.)
What does Juneteenth mean to me, to you, to us today? Long before corporate decisions to recognize Juneteenth, Black people in this country were joyfully and jubilantly celebrating this day in our own way.
As a feminist scholar, I marvel at Black women’s pivotal role in Juneteenth celebrations. It reminds me that Black women have always been architects of freedom.
Camille Brown, director and choreographer of the powerful new Broadway revival of “for colored girls who have considered suicide / when the rainbow is enuf,” is the first Black woman to direct and choreograph a play on Broadway in more than 60 years. Drawing inspiration from her own lived experience as a Black woman, Brown uses movement and dance to tell unique stories of humanity and sisterhood. In this interview, she shares lessons she’s learned in her career.
This year’s Met Gala invited A-list celebrities in the midst of an ongoing pandemic, racial divides, rising inflation costs, and the widening gap between the top 1 percent and everyone else.
During this event a leaked draft of the majority opinion from the Supreme Court immediately sent shockwaves, as the public learned that our highest court intends to overturn Roe v. Wade, which guarantees the right to abortion. Suddenly, the extreme wealth on display at the Met Gala seemed to represent all the “gilded” hubris of an historical era that seemed more “golden” than it really was—as we are now thrust back to a dystopian and despairing future we must confront and resist at all costs.