In Documentary ‘To Hold a Mountain,’ Motherhood Becomes a Form of Resistance, and Love of Land Becomes Political

In the remote mountains of Montenegro, a small community of herders tend their sheep and cattle, making cheese, harvesting wool, and maintaining traditions that have persisted for generations. But they also must passionately defend their rural life against the incursions of NATO, which wants to use their land as a military training ground because of its isolation and rugged terrain. A documentary premiering at Sundance, To Hold a Mountain follows the leader of the protest movement, a staunchly loving and protective woman named Gara, and her young charge, Nada.

The documentary film won this year’s World Cinema Grand Jury Prize for documentary film at Sundance. By remaining focused with meditative intensity on the quiet day-to-day of its subjects, the film presents an argument both deeply affecting and more effective than if its message were emblazoned across every frame. As the festival jury aptly put it, To Hold a Mountain, directed by Bijana Tutorov and Petar Glomazić, represents “the truest example of the power of cinema to make the personal political.”

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Sundance 2026: ‘Extra Geography’ Puts a Quirky, Tender Spin on a Familiar Boarding-School Tale

Extra Geography, the United Kingdom’s entry in the World Cinema Dramatic Competition at Sundance this year, is a funny, sweet and quirky coming-of-age story about two best friends in an all-girls English boarding school. Directed by Molly Manners and written by Miriam Battye, the film offers a wholly unique angle on a well-worn subgenre, reimagining the contours of youthful exuberance and teen ambition, as well as the conflicting feelings and confusing choices we make when we’re learning what it means to grow up.   

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Sundance 2026: ‘Barbara Forever’ Chronicles the Life and Work of Experimental Lesbian Filmmaker Barbara Hammer

Prolific lesbian feminist filmmaker Barbara Hammer’s refusal to be written out of history paid off, and Barbara Forever is full of evidence of the impact Hammer, both herself and her work, made on those around her. Beyond just telling the story of the life of a trailblazing lesbian filmmaker, the documentary is an intimate portrait of a fascinating and indomitable woman who treated life as the ultimate adventure.

Barbara Forever received Sundance’s Jonathan Oppenheim Editing Award for U.S. Documentary (the film’s editor is Matt Hixon), with its whirling, dynamic and comprehensive array of film and archival footage from an artist who voraciously documented her own life and the lives of others.

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Sundance 2026: The Masculinist and Eugenicist Origins of AI Are Writ Large in Documentary ‘Ghost in the Machine’

A fast-paced Sundance documentary, Ghost in the Machine traces how modern AI’s obsession with “intelligence” and innovation is rooted in the eugenicist, sexist and racial hierarchies that have long shaped Silicon Valley and its technologies.

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Sundance 2026: A Film About Revolution and Hope in Iran, ‘The Friend’s House Is Here’ Shows How Art and Friendship Sustain Resistance

Even when it’s created at great personal risk, nothing can negate the power of art. So, too, the importance of friendship, which impacts our choices, shapes our ideas about the past, present and future, and changes lives.

These are central themes of The Friend’s House Is Here, a U.S.-Iranian co-production that won the U.S. Dramatic Special Jury Award for Ensemble Cast at Sundance this year. In their presentation of the award, the jury praised the film’s ensemble cast “for delivering performances that each of us could find ourselves in, revealing a story that is frighteningly universal. The ensemble injects the world with gravity, love, and humor, and shows us the way community and connection are often our key to survival.”

In a case of life imitating art, the film circulates through its own act of defiance: It had to be smuggled out of Tehran for it to be shown at Sundance.

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Sundance 2026: Based on a True Story, ‘The Huntress’ Film Mythologizes a Vigilante Born of Juárez’s Violence

A gripping portrait of a Juárez factory worker who becomes an avenger after systemic violence against women goes unpunished, The Huntress (or La Cazadora) explores how myth, motherhood and desperation collide in a city where justice is scarce.

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Sundance 2026: Documentary ‘Silenced’ Exposes How Defamation Suits Muzzle Survivors and Journalists

Featuring the cases of Amber Heard, Gisèle Pelicot, Brittany Higgins, Colombian journalists at Volcánicas and others, Silenced traces a global pattern of defamation suits used to punish survivors and the reporters who amplify their stories.

It’s a fitting but frustrating coda that Silenced itself faced legal threats right after its festival premiere.

(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)

Oscar-Shortlisted Film ‘Belén’ Exposes the Injustice That Helped Transform Argentina’s Abortion Laws

Belén didn’t know she was pregnant until she miscarried in a hospital. She’d gone to the emergency room suffering excruciating abdominal pain. Instead of receiving care, she awoke from surgery handcuffed to her hospital bed and accused of having an illegal abortion.

This is the true story behind Belén, a powerful new Argentine film directed by, written by and starring Dolores Fonzi. It is based on the ordeal of a young woman from northern Argentina, chronicled in Ana Correa’s nonfiction book What Happened to Belén: The Unjust Imprisonment That Sparked a Women’s Rights Movement, the prologue of which was written by Margaret Atwood.

Despite a lack of evidence, Belén was charged with aggravated homicide and sentenced to eight years in prison.

After two years, Belén was freed, thanks to the legal work of activist and lawyer Soledad Deza and the sustained support of women’s organizations and women’s rights activists and movements, such as “Ni Una Menos” (Not One Less). Her case became a rallying cry for reproductive rights, with thousands taking to the streets under the banner #LibertadParaBelen (“Freedom for Belén”), paving the way for Argentina’s historic legalization of abortion in 2020.

The Best Feminist Fiction Films and TV Shows of 2025

From devastating dramas to sharp satires and genre-bending thrillers, this year’s feminist fiction on screen refused easy answers—and demanded our attention. These films and series center women’s agency, ambition and survival, offering stories that linger long after the credits roll. Here are some of the standout feminist fiction watches of the year.

Aviva Dove-Viebahn reviews the top fiction feminist watches from the past year including The Substance, Ironheart and The Better Sister.