Fine Art

The ‘Woman in Charge’: Diane von Furstenberg’s Lifelong Commitment to Empowering Women, Fashion and Philanthropy

Though her fame as a designer came through the success of her iconic wrap dress, Diane von Furstenberg has said, “I don’t think I had a vocation for fashion; I had a vocation to be a woman in charge.”

Towards the end of the exhibit—on display at the Skirball Cultural Center in Los Angeles until Aug. 31, 2025—a QR code directs visitors to sign up for her more recent innovation: the “InCharge platform,” which serves as “a place to rally, where we use our connections to help all women be the women they want to be.” Its aim urges women to make “first a commitment to ourselves” by “owning who we are” and then to use the platform to “connect, expand, inspire, and advocate.” It is her latest project in a lifetime of advocacy meant to strengthen women.

Remembering the Late Faith Ringgold—the Black Feminist Artist Who Knew Who She Was

The late Faith Ringgold was a feminist, an activist, a teacher, a mother and an artist known for her innovative use of mediums, ranging from the more traditional oil on canvas, murals and mosaics, to story quilts, protest posters and soft sculptures.

(This article originally appears in the Summer 2024 issue of Ms. Join the Ms. community today and you’ll get issues delivered straight to your mailbox!)

The Abolitionist Aesthetics of Patrisse Cullors, Co-Founder of Black Lives Matter

“Imagine if culturally we understood that protecting Black women meant protecting all of us,” said Patrisse Cullors, renowned for her activist work with Black Lives Matter, a global network she co-founded in 2013 with Alicia Garza and Ayo Tometi. “I think that’s what this show means to me.”

The show referenced here, “dedicated to all Black women and femmes around the world,” is the exhibit Between the Warp and Weft: Weaving Shields of Strength and Spirituality—an introduction to Cullors as an artist wielding her protection spell over Black women. The exhibit opens Saturday, June 15, at the Charlie James Gallery in downtown Los Angeles.

‘The Second Half’: Ellen Warner’s Portraits of Life Over 50

Over the course of 15 years, Ellen Warner—American photojournalist, portrait photographer and author—interviewed and photographed women from different cultures about life after age 50. These women ranged from an author and translator in Connecticut, to a sacred healer in Indonesia, a doctor in Saudi Arabia, a retired cook in Antigua, and the first French woman TV anchor.

These photos will be on display at the Women’s Studies Research Center at Brandeis University in Waltham, Mass., part of a solo art exhibition titled, “The Second Half: Forty Women Reveal Life After Fifty,” on view from Sept. 30 to Oct. 29, 2022.

Camille Brown on Movement, Power and Creative Identity: ‘Creating Safe Spaces to Share Our Stories’

Camille Brown, director and choreographer of the powerful new Broadway revival of “for colored girls who have considered suicide / when the rainbow is enuf,” is the first Black woman to direct and choreograph a play on Broadway in more than 60 years. Drawing inspiration from her own lived experience as a Black woman, Brown uses movement and dance to tell unique stories of humanity and sisterhood. In this interview, she shares lessons she’s learned in her career.

‘If These Dolls Could Talk’: Art Exhibit Explores Role of Black Dolls in U.S. History and Challenges Racial Stereotypes

Dolls—from ancient representation of humans in art, to familiar children’s toys or use in religious rituals—have held meanings more than meets the eye. Now employing the lens of race and gender, the New-York Historical Society exhibition “Black Dolls” explores further the significant role of the Black doll in American history.

From the horrors of slavery through Reconstruction and Jim Crow, to the beginnings of the civil rights movement of the 1960s, this collection of 200 objects, textiles, sewing tools, photographs and ephemera represents a push back against negative racial stereotypes.

‘Artists 4 ERA’ Demand Equal Rights for All Americans: ‘It Is Overdue That Gender Equality Becomes the Law of the Land’

On International Women’s Day, VoteEquality launched the Artists 4 ERA initiative. In partnership with 28 prominent artists, including Shepard Fairey, Artists 4 ERA will be releasing limited edition, signed prints to benefit non-partisan, grassroots efforts for the Equal Rights Amendment. The full collection of artwork will make its debut at the launch event March 19 in Oakland, Calif. From there, the collection will tour the country at events organized by VoteEquality, partner organizations and artists advocating for gender equality.

“As gender rights are rolled back across the country and as the Supreme Court signals its willingness to forgo precedent, a new generation of activists is stepping up to the fight,” said Kati Hornung, executive director of VoteEquality. “Art as a form of expression has a unique way of motivating people.”

The Two Harriets

The iconic figure of Harriet Tubman supersedes the factual details of her life: There is the real Harriet Tubman and there is how she is remembered, which looms larger. In most of the surviving photographs of Tubman, we see her as a stoic freedom fighter and abolitionist. However, in 2017, a recently discovered photograph of her was auctioned at Swann Galleries, and it shows us a new side of Tubman: a younger, more feminine Tubman, dressed on trend for the 1860s. Perhaps this photo represents a more hopeful Harriet Tubman forging a life post-emancipation.