Music

From Music Fans to Voters: Registering Young People Ahead of the 2024 Elections

Gen Z and millennials are officially the largest voting bloc in the U.S., making up 48 percent of eligible voters. In 2022, it’s estimated that 27 percent of people aged 18-29 cast a ballot, marking the second highest youth voter turnout in a midterm election in almost three decades. Since then, 8 million young people have reached voting age, and just under half of them are people of color. 

(This essay is part of a Women & Democracy multimedia package focused on Gen Z and student voters. The future envisioned by young leaders is bright—it’s built on reproductive rights, bodily autonomy, sustainability, freedom from violence and economic opportunity. Explore essays, a brand-new podcast, videos and more from some of your most loved [or soon to be!] influencers and writers, brought to you by Ms., DoSomething, the nonprofit that helps make volunteerism “cool,” and The Anthem Awards, the social impact arm of The Webbys.)

The Political Life of Beyoncé’s ‘Freedom’

The sonic power of Beyoncé’s “Freedom” has done the work in freeing our minds to imagine women’s leadership on the world stage. It has found new life articulating a “Freedom” agenda for presidential nominee Harris. Harris’ campaign insists on forward movement. This freedom story of the nation and the world is far from over. It’s this possibility of leadership that is quite on brand with Beyoncé’s “Freedom.”

Women Rap Back: ‘It’s My Dance and It’s My Body’

From the November/December 1990 issue of Ms. magazine: “What won’t subvert rap’s sexism is the actions of men; what will is women speaking in their own voice.”

(For more ground-breaking stories like this, order 50 YEARS OF Ms.: THE BEST OF THE PATHFINDING MAGAZINE THAT IGNITED A REVOLUTION, Alfred A. Knopf—a collection of the most audacious, norm-breaking coverage Ms. has published.)

Taylor Swift, Underdog Voices, and Women’s Historical Right to ‘Bolt’

“The Bolter,” in Taylor Swift’s eyes, is a woman who does not fit traditional society. Swift gives the bolter a voice—one that until now had been silent. She’s a woman not interested in being a trophy wife for the masses to admire. She has her own desires, preferences and demands, but her hopes and dreams are stifled by the rules that others want her to play by. She is unwilling to give of herself to play this role.  

Who’s Afraid of Taylor Swift?

Taylor Swift commands a lot of attention. In mere days since its release, her 11th album The Tortured Poets Department, which is a lengthy 31 songs and runs over two hours, became the most streamed album in a single week and the first to reach over one billion streams on Spotify.

To some, such success seems … well, excessive. It’s hard not to notice such takedowns targeted at Swift amid her breakneck success might have something to do with her gender.

Keeping Score: Women’s Basketball Reaches New Heights; France Protects Abortion, While Florida Tightens Its Ban

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week: Women’s college basketball smashed viewership records; France passed a constitutional amendment protecting abortion; Florida will soon have a six-week abortion ban; Beyoncé makes history on the country album charts; IWMF honors Palestinian journalist Samar Abu Elouf; Sen. Patty Murray (D-Wash.) managed to include $1 billion for childcare in the fiscal year 2024 appropriations bills; federal employees will soon have access to insurance plans that cover fertility services; President Biden announced a new plan to cancel student debt; the Supreme Court allowed Idaho to maintain its ban on gender-affirming care for minors; and more.

Can Beyoncé’s Foray into Country Music Change the Genre’s Conservative Views?

Beyoncé’s much-anticipated country album, Cowboy Carter, drops on Friday, March 29. Beyoncé’s immense success in country music is a clear signal that there is a huge audience for country music around the world, but that audience won’t settle for the music’s often conservative conventions. Black music and musicians are at the heart of country music, and recognition of Black women’s music on this scale is long overdue.

Beyoncé doesn’t need country music. But, if it’s going get the global traction the CMA and other parts of the industry desire, country music needs artists like Beyoncé.