More Than A Magazine, A Movement
Stories here about women navigating the television industry, representation on and off-screen and feminist TV show reviews.
“There’s no crying in baseball,” says Tom Hanks in A League of Their Own. But the film’s more subtle theme is that there are no lesbians in baseball. The 1992 film made no mention of the fact that many of the athletes in the All American Girls Professional Baseball League (AAGPBL) were gay.
But last Friday, Amazon Prime Video unveiled an eight-episode series, also called A League of Their Own, that includes openly lesbian AAGPBL players.
This year’s Met Gala invited A-list celebrities in the midst of an ongoing pandemic, racial divides, rising inflation costs, and the widening gap between the top 1 percent and everyone else.
During this event a leaked draft of the majority opinion from the Supreme Court immediately sent shockwaves, as the public learned that our highest court intends to overturn Roe v. Wade, which guarantees the right to abortion. Suddenly, the extreme wealth on display at the Met Gala seemed to represent all the “gilded” hubris of an historical era that seemed more “golden” than it really was—as we are now thrust back to a dystopian and despairing future we must confront and resist at all costs.
In the case of New York City restaurateur Sarma Melngailis, the tactics allegedly used by her “Bad Vegan” husband are no joke—and more states across the country are recognizing “coercive control” under domestic violence law.
Like other fans of Amazon’s The Marvelous Mrs. Maisel, I’ll be binge-watching when the fourth season of the hit series finally drops on Friday, Feb. 18.
I can’t help but wonder if the fictional Midge Maisel was influenced by the real-life Mary Ware Dennett or what would happen if they met. From 1915 through the 1930s, Dennett’s pioneering battles against U.S. government censorship helped pave the way for the freedom of speech Mrs. Maisel relies on and fights to expand.
I want to be a king. Just one that happens to be a girl.
Although words themselves are not responsible for sexism, many perpetuate the idea that men and women are so different that you must use separate words—even if they are doing the same thing.
Since we appear to be in one of the dark timelines, it shouldn’t be any wonder that a lot of that good comes to us in the form of fictional media.
These 10 shows that came out this year captured my attention because of their distinctive and dynamic women characters. Most of these shows were created by women and/or employ many women as writers and directors of individual episodes. All of them feature compelling women protagonists or co-leads.
From the swearing in of our first woman vice president, Kamala Harris, to the severe restrictions on reproductive rights, 2021 has been a mixed bag for feminism. Of course, popular culture—ever a pulse from which to measure the present moment—served as a guide this year for feminist expression.
Here is a list of what got us thinking and talking about feminism in popular culture.
Fox’s Our Kind of People makes audiences rethink their perception of Black workers, drawing attention to problems that the government has long tried to ignore.
Black women have not been able to bounce back from their steep unemployment loss that the pandemic generated in 2020.
In Amazon’s Cinderella musical, Cinderella gets what she most wants because there is a radical shifting of structural power. The prince suddenly doesn’t have to marry for status, the queen is suddenly free to speak up and the king is suddenly understanding of how ridiculous gender bias is and anoints his daughter to be next in line.
If only in real life it were that simple.