Women in Media

How the Trump Administration’s Conservative Policies and Messaging Are Reshaping Body Image Standards for American Women

PUBLISHED 9/10/2025 by

Body image and beauty standards for women have long shifted like fashion trends—one year in, the next out, often cycling every decade. Recently, Americans have seen a move away from body positivity and acceptance toward the ultra-thin ideals of “heroin chic.” Celebrity, influencer, and everyday social media posts alike are discussing dissolving their BBLs and turning to Ozempic or similar drugs to lose weight.

Women are sacrificing their health to fit into a very narrow standard of beauty. Ozempic, originally meant for diabetes management, has become a weight-loss tool for those who can afford it. “You can spend $1,000 a month and be thin,” says Dr. Caroline Heldman, Ph.D., author, journalist, and executive director of the Representation Project. Its long-term efficacy for weight loss has not been tested enough, yet the pressure to conform continues to grow.

This pressure is intersectional, both classist and racist. “About 300 years ago, we started to see the rise of white, thin purity as a way to differentiate white women from Black women with voluptuous bodies,” Heldman explains. Today, diet culture and society’s obsession with thinness still reflect these historic, racialized ideals, pushing women into unsafe beauty trends and fostering psychological distress.

Tools of the Patriarchy: How Communication Double Standards Silence Women

PUBLISHED 9/8/2025 by

“Sorry, but—”

I paused as the words flew from my mouth, forming an apology before I could even consider why I felt the need to begin my confrontation with one. A moment earlier, my friend had interrupted me during a heated debate, and I wanted to finish making the point I had been in the middle of.

“No worries, it’s all good,” he said with a smile, continuing with his argument. I sat stunned by how in a matter of seconds, I had been interrupted, then enabled to apologize for trying to address the interruption—all with the end result of my friend getting to speak over me.

These types of interactions happen to women all the time. Compulsive apologies, interruptions, mansplaining and emotional weaponization are all barriers that get in the way of women getting their point across, and being heard.

Communicating is already complicated enough, but it is even more difficult as a woman—so let’s talk about it.

What Do Women Really Want? HBO Max’s ‘Hacks’ Has Some Ideas (and Nine Emmy Nominations)

PUBLISHED 8/20/2025 by

For creatives and studio executives looking to reach new and more diverse audiences—especially in a time when cultural divisions often push networks to oversimplify or water down content—Hacks offers a roadmap: Respect women viewers. Tell stories that reflect the complexity of their work, relationships and daily realities. And above all, recognize that validation and understanding aren’t side notes to entertainment—they’re at the core of what makes it resonate.

FX’s ‘The Bear’ Season 4 Embraces Feminist Leadership, Challenging Aggressive Masculinity and Reimagining the Workplace

PUBLISHED 8/12/2025 by

The renowned show’s newest season is carving a new, feminist path for recognition of women-led workplaces, in spite of a history of white, male dominance.

Cultural depictions of feminist leadership, even when fictional, can help us both imagine and demand better. We need not settle for egotistical, unpredictable, manipulative leaders who focus on personal gains and grievances.

How Being Slut-Shamed by The New York Times Brought Out the Feminist in Joan Didion

PUBLISHED 7/23/2025 by

In 1984, Joan Didion’s best-selling, critically acclaimed books didn’t stop a respected critic such as Christopher Lehmann-Haupt from presuming he had the right to criticize the publicity photo for her novel Democracy. The black-and-white image, he wrote, “presents the author wading in a skirt and sweater that cling sufficiently to reveal somewhat more of the anatomy than one is accustomed to seeing in a dust-jacket portrait”—then, without providing evidence, that “Miss Didion’s dust-jacket image was thought to be in questionable taste by a number of fastidious observers, including her English publisher.”

Joan Didion’s husband, the writer John Gregory Dunne, wrote a long, fuming, deadly serious and rather hilarious letter to Lehmann-Haupt defending his wife’s honor, arguing he “would stick pasties on the Venus de Milo and call it taste. It is a taste I want no part of.”

Lehmann-Haupt conceded defeat. The New York Times critic responded, “Dear John: Thanks for writing. I guess you’re right.” 

Fast Facts About Bea Feitler, the Pioneering Graphic Designer You’ve Never Heard Of

PUBLISHED 7/14/2025 by

For our Summer 2025 issue, Ms. is going retro. The cover for the latest print issue is an homage to the October 1975 issue, which offered a “Special Issue on Men.” Both covers, 50 years apart, show a man in jeans and a T-shirt (the 1975 model was, no joke, Robert Redford) with a rolled-up issue of Ms. in his back pocket, honing in on the idea that women’s rights is a men’s issue too.

It’s the perfect time to remember Bea Feitler, the early Ms. art director who designed the 1975 men’s issue cover. Despite being a prominent designer (she art-directed Harper’s Bazaar and other magazines throughout the 1960s and ’70s), Feitler is largely unknown today.

In honor of her incredible legacy, which inspires Ms. staffers to this day, here are some of our favorite facts about Feitler and her remarkable life and work.

The Problem With Sabrina Carpenter’s Album Cover Is Not Sex—It’s Violence 

PUBLISHED 7/3/2025 by

The real discomfort with Carpenter’s controversial cover isn’t about sexual provocation. It’s about normalizing images of violence against women.

Policing women’s sexual choices should never be the goal of this discourse. Our personal sex lives are rich with context, and I hope that most people who enthusiastically interact with violent sexual acts, such as choking or hair-pulling, have felt comfortable enough with their partner to talk them through and have a truly consensual experience.

But we can monitor the way we speak about sex—especially expressions that lack that personal context, like album covers—and our tendencies as feminists to defend them in any light, no matter how troubling, for fear of restricting women as opposed to liberating them. 

We do not need to be OK with violence. Each of us has the personal autonomy to consider it, be conscious of it, oppose it, or even play with it. But when we look at an image of a woman having her hair pulled like the leash of a dog, it is only human—and important—that we feel uncomfortable.

Give Laken Riley Her Name Back

PUBLISHED 6/4/2025 by

I’m talking both to the man who murdered Laken Riley and the people who use her name to push their own agenda. Laken Riley is not a bill or a law. She was a person. 

It’s time for the world to give Laken Riley her name back. Let her family remember her for the life she lived. Let them empower her memory without invoking her name as a political battle cry. And let’s fight for a world where we invoke Riley’s memory to protect more women just like her, and not for another twisted cause.

‘Remember the Ladies’: Attacks on Gender Equity Remain a Core Feature of Surging Authoritarianism

PUBLISHED 6/3/2025 by

In the whirling, swirling hellscape of illegality and cruelty that is the current American political scene, it’s hard to keep track of all the individuals and groups demonized, deported and derided by an administration seemingly motivated by a Machiavellian desire for power that might make Machiavelli himself blush with shame. In the midst of an apocalyptic news cycle, one targeted segment of the population seems to be fading from view: women.

But let us not, as Abigail Adams wrote so many years ago, forget the ladies. “Remember, all men would be tyrants if they could.”

Why Do MAGA Women Dress Like That?

PUBLISHED 5/13/2025 by

No judgment, but the women featured in Evie Magazine, a “conservative Cosmo” for women 18-34, are more likely than not to show off their breasts. In a nod to the tradwife fashion trend, milkmaid dresses with low décolletage are featured on young, voluptuous white women. An article making the case against body positivity and fat acceptance, “The Return of Skinny,” is accompanied by a photo of a busty white woman on a beach wearing a thong bikini. A photo spread of Eva Vlaardingerbroek showcases the Dutch right-wing activist wearing a gold cross necklace—along with her breasts falling out of a low-cut gingham dress.

To people with conservative views, only some women—those who look and act like ‘real women’—get the privilege of being sexy.