Women in the Arts

‘Mercutio Loves Romeo Loves Juliet Loves’ Brings Joy Into Its ‘Queer Kinda’ Adaptation at NYC Theater

Boomerang Theatre Company’s premiere production of Mercutio Loves Romeo Loves Juliet Loves by Gina Femia is keenly, tenderly aware of the pain of high school theater and being a teenage girl.

Directed by Scott Ebersold, the play is “a new queer kinda adaptation of Romeo and Juliet,” according to Boomerang’s online program, marking the first-ever production of Femia’s new play.

Mercutio Loves Romeo Loves Juliet Loves is running at The Jeffrey and Paula Gural Theatre at ART/New York until Nov. 24, 2024.

Tiffany Shlain’s Feminist Art Answers the ‘Urgent’ Call to Fight for Democracy and Women’s Place in History

Artist Tiffany Shlain’s Dendrofemonology: Feminist History Tree Ring is on the move, soon to take up temporary residence in New York City’s Madison Square Park as a focal point for her “Mobilization for Women’s Rights and the Planet” on Sept. 21. Coinciding with the start of climate week and anticipating a historic election, Shlain’s daylong, public activation and rally address a convergence of critical concerns in this “age of urgency.” 

“I’m hoping that the next tree ring moment will be having the Equal Rights Amendment added into our Constitution and sex equality guaranteed across this country,” said Shlain. “And who knows? Maybe there’ll be something else new to burn” into the timeline “in January.”

The Abolitionist Aesthetics of Patrisse Cullors, Co-Founder of Black Lives Matter

“Imagine if culturally we understood that protecting Black women meant protecting all of us,” said Patrisse Cullors, renowned for her activist work with Black Lives Matter, a global network she co-founded in 2013 with Alicia Garza and Ayo Tometi. “I think that’s what this show means to me.”

The show referenced here, “dedicated to all Black women and femmes around the world,” is the exhibit Between the Warp and Weft: Weaving Shields of Strength and Spirituality—an introduction to Cullors as an artist wielding her protection spell over Black women. The exhibit opens Saturday, June 15, at the Charlie James Gallery in downtown Los Angeles.

Beyoncé Banned From the Classroom? The Race and Gender Debates Continue

Pop star Beyoncé Knowles-Carter continues to be a catalyst for cultural provocation. She dares to suggest that African Americans are vital to U.S. culture and are equally worthy subjects that require our attention and recognition of their value through their inclusion in our cultural heritage. if Kimberlè Crenshaw is the theory, Beyoncé is the practice. Our laws emerge from our culture, and those we hold up as culture bearers – including our pop stars – have the power to elevate the status of those most marginalized and to make visible our different political struggles.

Black Trans Femmes Find Freedom Through Art

Black trans femmes are from the future. We exist in bodies that the world has not yet evolved to accommodate. We speak a language that has yet to be written. We claim freedoms that are not yet accessible. But when we create art, we pull pieces of that future into the present—disrupting, reshaping and unraveling the confines of the modern world.

Persistence Overcomes Resistance: Honoring Women Suffragists Through Public Artwork

The percentage of women in politics, and many other professions, has grown significantly in the past few decades. However, when one looks at public artwork, women are almost nonexistent.

Inspired by the centennial of the 19th Amendment, the Chicago Womxn’s Suffrage Tribute Committee formed in 2020 in order to create public artwork to honor those who fought to legalize the vote for women. What originally started out as a one-mural project featuring suffrage leaders grew into three murals, all within one block of each other in the South Loop of Chicago.