Women in the Arts

Sacrificing Women for the Church of Men: Medical Conscience Rights and Christian Hypocrisy

The Woman grew up in a small Christian town in northeastern Tennessee. Community values—kindness, compassion, love—are deeply cherished. She’s never moved; why would she? She enjoys the simplicity of her little community.

But the tide turns with a growing political movement seemingly predicated on bigotry and punitive, hypocritical morality. The news cycle churns frenetically, each day bearing more distressing confusion.

Her state representatives are unresponsive to your concerns, and she has a serious one: She’s pregnant and unmarried in post-Roe America, and cannot get care in her state. Legally, a doctor can decline to provide care for you.

She’s not trying to cause problems. But she’s terrified and she wants answers. How did we get here as a nation? And can we ever go back?

A grave truth transcends: Christian fundamentalism has insidiously inserted itself into American policy, perverting its own values to legalize discrimination.

Bigotry doesn’t always present as a Unite the Right rally or violence in our nation’s capital. Sometimes, it comes with a demure smile and a sweet, “It’s just my personal belief.” It’s still bigotry.

Now Streaming: New Film ‘Lilly’ Tells Transformative Story of Equal-Pay Hero Lilly Ledbetter

It’s tempting these dark days to dismiss the idea that any one person can make a difference. And yet, every day ordinary people fight injustice. And some days, those people persist long enough, resist long enough, that their fights rise to national prominence.

One such fight is chronicled in the new film Lilly, released in theaters this May and now available for rent. The brainchild of director Rachel Feldman, Lilly tells the story of Lilly Ledbetter, “an ordinary woman who became extraordinary,” in the words of Patricia Clarkson, who portrays her in the film.

Fast Facts About Bea Feitler, the Pioneering Graphic Designer You’ve Never Heard Of

For our Summer 2025 issue, Ms. is going retro. The cover for the latest print issue is an homage to the October 1975 issue, which offered a “Special Issue on Men.” Both covers, 50 years apart, show a man in jeans and a T-shirt (the 1975 model was, no joke, Robert Redford) with a rolled-up issue of Ms. in his back pocket, honing in on the idea that women’s rights is a men’s issue too.

It’s the perfect time to remember Bea Feitler, the early Ms. art director who designed the 1975 men’s issue cover. Despite being a prominent designer (she art-directed Harper’s Bazaar and other magazines throughout the 1960s and ’70s), Feitler is largely unknown today.

In honor of her incredible legacy, which inspires Ms. staffers to this day, here are some of our favorite facts about Feitler and her remarkable life and work.

‘Behind Every Ban Is a Body’: Idaho Activists Bring Abortion Truths to NYC Theater

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On June 2, a new play, One Body: Dispatches from Idaho, brought the harrowing reality of Idaho’s abortion ban to the New York City stage. Performed at Theater 555 in midtown Manhattan, the one-woman show explores the devastating consequences of Idaho’s extreme abortion ban, drawing on over 30 interviews with women, doctors, lawmakers and activists.

“With One Body, we’re not just telling stories; we’re building infrastructure for change,” said Jen Jackson Quintano, an abortion activist and co-writer of the play. “By placing rural Idahoans’ experiences front and center—elevating stories too often silenced—we not only humanize the stakes of reproductive rights, we create a blueprint for community-centered activism that can travel anywhere.”

Organizers hope to spark momentum—and raise funds—for a nationwide tour and an off‑Broadway production of One Body in the future.

Have You No Decency?

“Have you no sense of decency, sir?” The iconic query—best known for the public takedown of U.S. Sen. Joseph McCarthy and his fearmongering campaign and persecution of Americans with supposed ties to communism and other “transgressions”—is making a comeback.

With renewed relevance and urgency, U.S. Rep. Bill Keating invoked the line a few weeks ago as a rebuke of fellow House member U.S. Rep. Keith Self whose boorish behavior at a committee hearing included deliberately, cruelly misgendering Congressional colleague U.S. Rep. Sarah McBride.

But the appeal took on technicolor form last weekend, thanks to the vision and handiwork of award-winning graphic designer Bonnie Siegler. Her Hands Off! protest signage is serious, next-level art: capturing the political moment and long litany of transgressions by Donald Trump, Elon Musk and so many of their cronies and capitulators.

Centuries After Christine de Pizan Wrote a Book Railing Against Misogyny, Taylor Swift Is Building Her Own ‘City of Ladies’

In her work, Taylor Swift has taken inspiration from women of the past, including actress Clara Bow, socialite Rebekah Harkness and her grandmother Marjorie Finlay, who was an opera singer.

But sometimes I wonder what the 34-year-old pop star would think of the life and work of Italian-born French writer Christine de Pizan.

Back in the 15th century, Christine—who scholars customarily refer to using her first name, because “de Pizan” simply reflects her place of birth, and she may not have had a last name—dealt with her share of “dads, Brads and Chads,” just as Swift has in the 21st century.

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

Numerous English theatergoers considered seeing women on the public stage for the first time a pivotal moment.

The role of Desdemona, the devoted, loving wife murdered by her husband in Othello, wasn’t performed by a woman until 1660—about six decades after Shakespeare wrote the play. This is because when Shakespeare was writing for the early modern stage, young men and boys performed all the women’s parts.

Screaming for Change: Documentary Turning Women’s Fury Into Power Hits AMC+

In OUTCRY: Alchemists of Rage, Clare Major’s powerful direction and classical-violinist-turned-punk-singer Paris Hurley’s (of Object as Subject, an LA-based art punk band) high-octane music frame this riveting 30-minute documentary on Whitney Bradshaw’s ongoing social practice project, OUTCRY.

The short film follows the photographer from her home in Chicago to D.C. for a reproductive freedom march, then to Denver for an OUTCRY exhibition, and on to Dayton, Ohio, for a scream session just prior to voting on Issue 1, which enshrined abortion rights into the Ohio Constitution.

This film is available to stream from March 14 to April 12 in the AMC + “Future of Film: Athena Rising Stars” collection.