Tony-winning Broadway and off-Broadway publicist, producer and press agent Irene Gandy was the latest industry titan to open up about her career for the Oral History Project at the League of Professional Theatre Women.
The National Museum of African Art’s exhibition “I Am…Contemporary Women Artists of Africa” offers viewers the opportunity to see African experiences in a more intimate and global context.
Susan Rome takes on the role of Louise Nevelson, one of the most influential woman sculptors of the twentieth century, in Theater J’s production of “Occupant.”
Behind the “veil of daily newspapers,” there are real faces of women—as revealed in the exhibition “My Iran: Six Women Photographers” at the Sackler Gallery.
Live Dangerously, on display now at the National Museum of Women in the Arts, is a breathtaking challenge of the possibilities—representing the female image freed from constraints of artistic history with its traditional display of women as part of the scenery.
Judy Chicago’s exhibition “The End,” now opened at the National Museum of Women in the Arts, showcases an artist’s confrontation with the difficult subjects of aging and death.
“Julie White, who plays Nancy Kohler, came to our final production in New York, and she came backstage in tears and said: ‘This play makes me want to be a better person.’ And I think that is what it’s all about.”
While U.S. women average more than four hours of unpaid labor in their homes and in their communities each day, U.S. men are only clocking a little more than half that amount, according to studies from senior gender expert Lucina Di Meco, Williams College Professor of Economics Lucie Schmidt and other experts. This is just one of […]
“Imaging Women in the Space Age,” now on view at the New York Hall of Science in Queens, showcases the remarkable achievements of female astronauts and scientists—and also highlights how the idea of women in space has long fascinated filmmakers, television writers, advertisers and fashion designers.
“Sometimes I think of the cost of raising a child all the way to adulthood—and since I know I can’t instantly pay my mom back hundreds of thousands of dollars, I can at least pay her back in a sincere doodle.”