Women Writers

Find books written by women, largely about women and other underrepresented communities.

Poems Wherein the Bullet Speaks: A Review of Heidi Kasa’s ‘The Bullet Takes Forever’

PUBLISHED 7/11/2026 by

Consider the title of Heidi Kasa’s first book of poetry, published by Mouthfeel Press: The Bullet Takes Forever. In seven syllables, Kasa’s title conjures a wide swath of loss, both vertical and horizontal, the catastrophic consequences of gun violence, robbing us of time and life itself.

The way the title lands is a fine indicator of the way Kasa’s poems will strike the courageous reader, the reader willing to dwell for a time in this space dedicated to examining violence, often delivered upon the most vulnerable among us.

Reading these poems, I realized how little narrative Kasa actually needs to provide. We already know the story. We have lived it, watched it unfold again and again in schools and communities across this country. At a moment when the Trump administration is rolling back gun regulations, Kasa’s poems remind me that policy debates can never capture what violence leaves behind: grief, fear and lives forever altered. Her collection asks us not simply to read, but to remember.

“Back to School Shopping List

“1. backpack (big enough to hide behind)
“2. notebook (for reunification records)”
“7. spelling test (words: tourniquet, instructions, wound, direct, manual, pressure).”

‘The Headspace Gap’: The Mental Load of Living in a World Designed for Men

PUBLISHED 7/2/2026 by

There is a reality we seldom notice: the physical contortion constantly required and tolerated by women to get through the day.

It’s everywhere if you pay attention: the woman struggling to reach and hold on to the strap on the moving subway car; the corporate attorney changing her gait to avoid blisters from her heels; any woman choreographing her every move inside a public restroom stall, accommodating a space designed to be barely sufficient.

The distraction caused by an ill-fitting built world has a tangible consequence: Headspace that would otherwise be focused on a goal or fulfilling one’s potential is wasted on silly workarounds. (And we know these workarounds cost money too.) This is headspace that our male counterparts have available to them.

It is no longer the case that our labor market is predominantly male, and design should reflect that. In a century characterized by the emergence of some of the most frivolous comforts, to ignore gender bias in design is to convey indifference toward the health, safety, performance and comfort of our women.

I call this the headspace gap. It perpetuates patriarchy, operating as a product by design.

(Adapted from the new book Man-Made: How We Designed a World That Leaves Women Out, and How We Can Make It Right.)

July 2026 Reads for the Rest of Us

PUBLISHED 7/1/2026 by

Each month, Ms. provides readers with a list of new books being published by writers from historically excluded groups.

Dear feminist reader friends, I don’t ask you for much. But now, I want to hear from you. 

Do you prefer more titles with less descriptive summaries? Or fewer titles with more thoughtful annotations? Is there anything else I can do to improve the columns? 

If I don’t hear from you, I will just keep on keepin’ on, but I’d prefer to give you what you want. So, go to my website and use my contact form to send me some feedback, please!

And until next month, I hope you enjoy these 10 titles as much as I did.

A (Brief) History of Women’s Rights, 1600 to Present

PUBLISHED 6/3/2026 by and

From the Haudenosaunee women who successfully challenged warfare in the 17th century, to today’s feminist organizers defending democracy, reproductive freedom and civil rights, the struggle for women’s equality has never been a straight line. It is a story of persistence, resistance and collective action spanning centuries.

Compiled by editors at Ms. and researchers from the National Women’s History Alliance, this women’s history timeline traces the interconnected histories of feminism, abolition, labor organizing, civil rights, reproductive justice, LGBTQ+ liberation and democratic participation.

No timeline can fully capture more than 400 years of feminist history, let alone every movement, leader, victory and setback that has shaped the ongoing fight for equality. Rather than offering a comprehensive account, this chronology highlights pivotal moments and turning points that help tell the story of how women have expanded the boundaries of freedom, democracy and human rights in the United States and beyond.

The timeline is part of Ms. magazine’s FEMINIST 250: Founding Feminists project, a multimedia essay series marking the 250th anniversary of the Declaration of Independence by examining the women and feminist movements that have worked to make the nation’s founding promises more fully realized. Through reported features, essays, interviews and historical analysis, FEMINIST 250 explores not only where we have been, but where we must go next to achieve true equality.

FEMINIST 250’s Parts 2 and 3—Feminist Lessons and Feminist Futures—drop this month on MsMagazine.com.

June 2026 Reads for the Rest of Us

PUBLISHED 6/1/2026 by

Each month, Ms. provides readers with a list of new books being published by writers from historically excluded groups.

Happy June! Happy Pride! Happy Caribbean-American Heritage Month! Happy summer!

Wherever you are and however you spend your month, I hope you are able to slow down, rest and enjoy life with a good book. 

Where to Watch ‘Ask E. Jean,’ a New Documentary on the Wit, Fury and Fearlessness of E. Jean Carroll

PUBLISHED 5/23/2026 by | UPDATED 6/30/2026 at 10:15 A.M. PT

E. Jean Carroll—the colorful author and advice columnist who beat Donald Trump in court twice—is finally getting the documentary treatment in Ask E. Jean, a film that is as poignant as it is entertaining.

Director Ivy Meeropol first reached out to Carroll after reading the devastating yet vibrant New York Magazine piece in which Carroll accused Trump of raping her in a Bergdorf Goodman dressing room decades earlier.

Carroll’s initial response: “I’d rather eat my shoe.”

But Meeropol persisted, eventually convincing Carroll she wanted to tell the fuller story of her life—not just the trials, but her remarkable rise during the heyday of glossy magazines and New York media culture.

The resulting film traces Carroll’s evolution from Indiana cheerleader to professionally fabulous Manhattan raconteur, weaving together archival footage, legal depositions and deeply personal interviews.

Some of the documentary’s most powerful moments come from previously unseen deposition footage, where Carroll recounts the 1996 assault while enduring invasive questioning from Trump attorney Alina Habba. Even in those moments, Carroll remains irrepressibly funny.

Meeropol says the footage reveals “what really happens when someone who’s brought a charge of rape or sexual abuse is deposed,” while also exposing the broader misogyny women confront “from the minute we’re born.”

Meeropol also describes struggling against “The Trump Effect”—fear within the entertainment industry about supporting projects that could provoke retaliation from Trump or his allies. Distributors hesitated, some producers reportedly asked not to be credited, and the film was repeatedly stalled despite strong festival reviews.

But Ask E. Jean is now expanding into theaters nationwide, bringing Carroll’s story to audiences at a moment when the politics of gender, power and public accountability remain impossible to ignore.

May 21 Virtual Event: Tackling Patriarchy and Power (With Anna Malaika Tubbs, Aisha Becker-Burrowes and Danielle Robay)

PUBLISHED 5/20/2026 by

The Feminist Majority Foundation and Ms. have partnered with Women’s Foundation California to invite you to a national virtual conversation with Dr. Anna Malaika Tubbs that turns our attention toward the system that has kept us from achieving true democracy for the last 250 years: patriarchy. 

Drawing from her latest book (and New York Times best-seller) Erased: What American Patriarchy Has Hidden from Us, Tubbs traces the ruthless logic that has organized American life for 250 years—always bound to race, always rooted in a binary that decides who counts and who does not.

The event is Thursday, May 21, 2026 at 5:30 p.m. PT / 7:30 CT / 8:30 ET. RSVP today!

Tubbs will be joined in conversation by Aisha Becker-Burrowes, co-founder and co-executive director of FEMINIST—a nonprofit media company serving a global community of over 6 million—and interviewed by TV host, journalist and content creator, Danielle Robay.

To the Men Who Send Women Hate Mail

PUBLISHED 5/15/2026 by

I am not alone in receiving unsolicited emails—especially as a professor, public writer and thinker, and woman who dares to speak her mind. Often, the emails are thoughtful, engaging and sometimes deeply moving expressions of gratitude that warm the heart. However, from time to time, there are the crude, crass and obtuse intruders, thrusting insults and even threats into our inboxes. These expressions of masculine fragility and anger—whether intended to or not—chill the receiver’s speech and cause women to silence themselves.  

Here, then, is my response to Mr. Sawyer—but also, in many ways, a response to the countless men who insert themselves into women’s inboxes with condescension, hostility and misplaced certainty. Women in public life know these messages well: the unsolicited lectures, the attempts at intimidation, the casual cruelty masquerading as critique. Consider this every woman’s letter to the crass and crude male intruder in her inbox. I hope you enjoy.

‘They’re Taking Our Humanity Away’: Kimberlé Crenshaw on Her Memoir, America’s Future and Why the Fight for Justice Requires ‘Backtalking’

PUBLISHED 5/14/2026 by

For decades, pioneering legal scholar and activist Kimberlé Crenshaw has shaped the language we use to understand systemic injustice—from coining the term “intersectionality” to helping launch the #SayHerName movement.

In her new memoir, Backtalker: An American Memoir, Crenshaw traces the personal and political experiences that shaped her work, while warning that the attacks on critical race theory, feminism and Black women are inseparable from the broader erosion of democracy itself.

In this wide-ranging interview, Crenshaw reflects on Anita Hill, Clarence Thomas, “intersectional failure,” the backlash against Black women leaders and the dangers of what historian Timothy Snyder calls “anticipatory compliance.” She argues that today’s political moment—from attacks on independent journalism to the dismantling of civil rights protections—demands a more expansive understanding of solidarity and resistance.

“The other side doesn’t want us to feel empathy,” Crenshaw says. “They’re taking our humanity away, the thing that makes us humans and not a machine.”

Crenshaw also speaks candidly about the personal costs of “backtalking” to power, the unfinished grief that continues to shape her activism, and why she still believes collective action and moral clarity matter.

“One step forward can lead to five or 10 steps back,” she says. “When we see the forces of retrenchment coming on the horizon, we must pick up every weapon we have to fight against it.”

Reclaiming Phillis Wheatley (Peters): Imagination as a Feminist Founding Project

PUBLISHED 3/16/2026 by

More than her own failings, perhaps there are times when new nations are just not ready to be called into being.

Although Phillis Wheatley (Peters) is widely known as the first African woman to publish a book of poetry in English, her biography—her forced Middle Passage journey to Boston, her enslavement by the Wheatley family, her rise to poetic celebrity and eventual fall into obscurity—often looms larger than the poems themselves.

But what would it mean to consider Phillis not as a “slave,” but as a poet, writer and critic who was enslaved?

Slavery was not an innate identity. It was a system imposed upon the enslaved. And when we return to Phillis’ work with that understanding, we encounter a writer of formidable imagination—one who envisioned interior worlds of freedom even while living within bondage.

Phillis’ personification of Imagination becomes, in this sense, a founding feminist figure—an “imperial queen” who invites us to leave the rolling universe behind and imagine new worlds. That work of imagination remains unfinished. It is the ongoing labor of love that Black feminist traditions continue to carry forward today.

(This essay is part of the FEMINIST 250: Founding Feminists series, marking the 250th anniversary of America by reclaiming the revolution through the women and gender-expansive people whose ideas, labor and resistance shaped U.S. democracy.)