Summer at the Movies: On the Successes and Failures of Imagination

Despite our collective love for larger-than-life motion pictures, I must lament the dearth of images of Black women in heroic, star-turning roles.

But in Barbieland, a topsy-turvy world where women run things—in contrast to the “real world” of patriarchy—we can imagine women in every possible role. Let’s hope Barbie’s commercial success encourages more support for films that feature diverse women as big-screen heroes. There are so many more stories to be told.

Developing Hip-Hop Feminist Scholarship: The Ms. Q&A With Tricia Rose and Gwendolyn Pough

In our continued coverage of hip-hop feminists for our “Turning 50” series, we highlight two important voices and pioneers in hip-hop feminist studies.Tricia Rose, a professor of Africana Studies at Brown University, was born and raised in Harlem and the Bronx in New York City. Her groundbreaking book, Black Noise: Rap Music and Black Culture in Contemporary America (1994), explored the emerging culture of hip-hop and helped to establish the birth of hip-hop studies. Her work addresses Black feminisms, Black women’s sexualities, and systemic racism. 

Gwendolyn D. Pough, a professor of women’s studies and rhetoric at Syracuse University, is renowned for her scholarship on hip-hop feminism, begun with her seminal work, Check it While I Wreck it: Black Womanhood, Hip-Hop Culture, and the Public Sphere (2004).

(This series is part of “Turning 50,” which recognizes the women who shaped hip-hop.)

Black, Queer and Neurodivergent: Janelle Monáe’s ‘The Age of Pleasure’ Dives Into Play, Joy and Creativity

Luxuriating in unlimited Black queer potential for pleasure—while staying present, even taking pleasure in life’s inherent uncertainty—Janelle Monáe’s The Age of Pleasure experiments with a therapeutic process as much as an artistic one. The album celebrates neurodivergence and sun-kissed, ocean-deep, lusciously melanated Black queer love.

‘Black Women’s Bodies Have Always Been Under Attack’: Marcela Howell on Reproductive Justice and Why We Must Listen to Black Women

Marcela Howell, an advocate and policy strategist, is retiring after 35 years of advocating for women’s rights and reproductive freedoms. The founder and former president of In Our Own Voice: National Black Women’s Reproductive Justice Agenda, Howell spoke with Ms.’ Janell Hobson about the current state of affairs, reproductive justice, and why more of us need to listen to Black women.

“If Black women in their full force come out and vote in elections, conservatives lose; their policies lose. If you want to control Black women, you control their bodies, control their votes, control what they learn in school, control their history.”

The U.S. Democratic Backslide and Gender Equity: Its ‘Own Form of Intersectionality’

“Women’s power as decision makers in the political process does not reflect our numbers or our needs. Who holds legislative or executive office, and whether we do so in critical mass numbers and with agenda-setting authority, obviously matters tremendously to the design, the enactment, the implementation and the enforcement of laws that can help us or harm us. That includes of course the power to select the judges who interpret these laws.”

(This essay is part of Women’s Rights and Backsliding Democracies project—a multimedia project made up of essays, video and podcast programming, presented by Ms., NYU Law’s Birnbaum Women’s Leadership Network and Rewire News Group.)

Black Mamas Reclaim Their Space in Reproductive Justice

Forward Together’s 13th annual Mamas Day campaign “Black Mamas Reclaiming their Space in the Reproductive Justice Movement,” celebrates Black mamahood and the Black mamas who continue to push the work forward—since Black mamas are the founders of the reproductive justice framework and are the foundation of our movement.

Visit MamasDay.org to send a card to the mamas in your life.