More Than A Magazine, A Movement
Renaissance, Beyoncé’s seventh solo album, offers a much different vibe and one that also represents an intergenerational inheritance engulfed in the pleasures of Black dance music vibrating across the various subcultures of Black communities around the world.
Black women—across genders, sexualities and communities—have been the blueprint, and Beyoncé’s Renaissance proves that.
In a world where the meaning of “feminism” is increasingly being questioned by those on both the right and the left, a thoughtful contemplative examination of the term’s history and future can be hard to find. But the Oakland Museum of California’s “Hella Feminist” exhibition does just that.
(“Hella Feminist” is on view at the Oakland Museum of California in Oakland, California from July 2022-January 2023.)
“We felt it our responsibility to depict the war on Black women’s bodies raging in this conservative state,” said Katori Hall, creator of Starz’s P-Valley.
What does Juneteenth mean to me, to you, to us today? Long before corporate decisions to recognize Juneteenth, Black people in this country were joyfully and jubilantly celebrating this day in our own way.
As a feminist scholar, I marvel at Black women’s pivotal role in Juneteenth celebrations. It reminds me that Black women have always been architects of freedom.
One year after Congress made Juneteenth a national holiday, I and so many of my Black and Brown people still yearn for true justice. And we’ll never achieve it unless we harness our political power and invest in tomorrow’s leaders.
Camille Brown, director and choreographer of the powerful new Broadway revival of “for colored girls who have considered suicide / when the rainbow is enuf,” is the first Black woman to direct and choreograph a play on Broadway in more than 60 years. Drawing inspiration from her own lived experience as a Black woman, Brown uses movement and dance to tell unique stories of humanity and sisterhood. In this interview, she shares lessons she’s learned in her career.
This year’s Met Gala invited A-list celebrities in the midst of an ongoing pandemic, racial divides, rising inflation costs, and the widening gap between the top 1 percent and everyone else.
During this event a leaked draft of the majority opinion from the Supreme Court immediately sent shockwaves, as the public learned that our highest court intends to overturn Roe v. Wade, which guarantees the right to abortion. Suddenly, the extreme wealth on display at the Met Gala seemed to represent all the “gilded” hubris of an historical era that seemed more “golden” than it really was—as we are now thrust back to a dystopian and despairing future we must confront and resist at all costs.
Unrelenting storms are ravaging the world, including Louisiana. The attack on our reproductive rights is another storm threatening Black women in Louisiana and across the country.
Black women are being denied the resources, and the right to live and raise our families with dignity—and without state interference.
Black women have historically played a crucial role in the origins of hip hop, but are often unacknowledged. Learning the rich herstory of hip hop feminism shows what an important role women have played in the past and the future of the genre.
The Harriet Tubman Bicentennial Project concludes with the Harriet Tubman Syllabus—an exhaustive list of works about and inspired by Harriet Tubman, which confirms the wide-reaching impact of her legacy more than a hundred years after her passing on March 10, 1913.
