More Than A Magazine, A Movement
In the rap battle between Kendrick Lamar and Drake, serious accusations of violence against women and girls were repeatedly reduced to punchlines in these diss tracks.
We don’t deserve to see our experiences, especially our most painful ones, turned into punchlines.
In her memoir, Rebel Girl: My Life as a Feminist Punk (Ecco), Hanna shares her journey from a challenging childhood through college and her first shows to love, Lyme disease and Le Tigre. Intimate and candid, Hanna graciously explores it all, including the duplicity of the punk scene with its caring collectivity and underlying exclusivity, racism and misogyny.
I was lucky enough to chat with Kathleen Hanna about her book, the writing process and how her feminism has changed over time.
“The Bolter,” in Taylor Swift’s eyes, is a woman who does not fit traditional society. Swift gives the bolter a voice—one that until now had been silent. She’s a woman not interested in being a trophy wife for the masses to admire. She has her own desires, preferences and demands, but her hopes and dreams are stifled by the rules that others want her to play by. She is unwilling to give of herself to play this role.
Taylor Swift commands a lot of attention. In mere days since its release, her 11th album The Tortured Poets Department, which is a lengthy 31 songs and runs over two hours, became the most streamed album in a single week and the first to reach over one billion streams on Spotify.
To some, such success seems … well, excessive. It’s hard not to notice such takedowns targeted at Swift amid her breakneck success might have something to do with her gender.
In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.
This week: Women’s college basketball smashed viewership records; France passed a constitutional amendment protecting abortion; Florida will soon have a six-week abortion ban; Beyoncé makes history on the country album charts; IWMF honors Palestinian journalist Samar Abu Elouf; Sen. Patty Murray (D-Wash.) managed to include $1 billion for childcare in the fiscal year 2024 appropriations bills; federal employees will soon have access to insurance plans that cover fertility services; President Biden announced a new plan to cancel student debt; the Supreme Court allowed Idaho to maintain its ban on gender-affirming care for minors; and more.
Beyoncé’s voice of discontent resonates strongly, as does her once-considered “too country” accent, on Cowboy Carter. This, her eighth studio solo album, is a brilliant and genre-bending album rooted in country music that transcends the genre through its audacious, boundary-pushing and aggressive remixes and interpolations that have honored the hybrid space that is Southern culture.
Beyoncé’s much-anticipated country album, Cowboy Carter, drops on Friday, March 29. Beyoncé’s immense success in country music is a clear signal that there is a huge audience for country music around the world, but that audience won’t settle for the music’s often conservative conventions. Black music and musicians are at the heart of country music, and recognition of Black women’s music on this scale is long overdue.
Beyoncé doesn’t need country music. But, if it’s going get the global traction the CMA and other parts of the industry desire, country music needs artists like Beyoncé.
Beyoncé’s depicting herself as a (Black) Lady Liberty is a choice, and a powerful one that seeks to not only rewrite history for racial inclusion but to reclaim our rightful place in the pantheon of American symbols and heroes while also resisting expectations for purity.
In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.
This week: Alabama ruling endangers IVF; childcare costs are a significant barrier to parents having more children; Beyoncé and Olivia Rodrigo launch new charities; more than 9,000 women have been killed by Israeli forces in Gaza; Biden addresses abortion access in the SOTU; new research on gender discrimination in the workplace; Kamala Harris’ visit to Minnesota abortion clinic is the first time a sitting U.S. president or vice president has visited an abortion provider; a judge ruled Fani Willis should not be disqualified from prosecuting the racketeering case against former President Donald Trump; and more.
Good for you! Olivia Rodrigo has kicked off her GUTS world tour with a powerful message: a portion of tour proceeds will support reproductive health access across the U.S.
