The Olympic Winter Games in Milan began late last week on Feb. 6, 2026, with the U.S. roster—made up of 115 women and 117 men—nearly reaching gender parity.
Here are some of the athletes contributing to that history to watch in the days to come.
For many women in the U.S. and around the world, motherhood comes with career costs. Can government programs that provide financial support to parents offset the “motherhood penalty” in earnings? Killewald with Therese Christensen, a Danish sociologist, set out to answer this question for moms in Denmark, a Scandinavian country with one of the world’s strongest safety nets.
In an article to be published in an upcoming issue of European Sociological Review, Christensen and Killewald show how mothers’ increased income from the state, such as from child benefits and paid parental leave, offset about 80 percent of Danish moms’ average earnings losses.
Weekend Reading on Women’s Representation is a compilation of stories about women’s representation in politics, on boards, in sports and entertainment, in judicial offices and in the private sector in the U.S. and around the world—with a little gardening and goodwill mixed in for refreshment!
This week:
—Republicans’ rebranded SAVE America Act seeks to expand federal oversight of elections and ban ranked-choice voting. Policies that appear neutral on paper can land very differently in lived experience; nearly 90 percent of married women change their last name, which means that the undue burden will fall on women.
—Women candidates win special elections across the country.
—Women gain majority status in Democratic caucuses in state House of Representatives.
… and more.
The Kikuyu are a tribal people located in the Kenyan highlands—a gorgeous region now dominated by enormous tea plantations, many owned by multinational corporations.
As the documentary Kikuyu Land spells out, the farms are owned by wealthy Kenyans and multinational corporations who seem quite capable of hiding their exact provenance. One such corporation: consumer goods behemoth Unilever.
As news of journalists being abducted and people being killed over land disputes filters into the film, Nairobi-based journalist Bea Wangondu tries to track down a representative of Unilever willing to address the allegations against the plantations, going so far as traveling to its headquarters in London. When those efforts fail, she seeks answers in archival records. But, as she digs into her own family and its claims to Kikuyu land, she discovers an upsetting history of complicity and betrayal.
The documentary is a gripping investigation with stakes that are both intimately personal and startlingly global, contrasts the arresting beauty of its geographical setting with the dark underbelly of its secrets.
(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)
In 2019, Jovana Gligorijević wrote a damning profile of a Serbian influencer who had connections to political power players and alleged criminal networks.
Gligorijević works at Vreme, an independent news magazine founded in 1990 by intellectuals and activists fighting state censorship. Aside from her political reportage, she’s covered stories on sexual violence and, specifically, how Serbia’s judiciary treats rape victims. She notes wryly that in her experience, “when you report on politics and human rights, sooner or later you come across the far right as the root cause of the problem.”
Other independent women journalists like Gligorijević that are critical of the Serbian government face sexual insults, threats of lawsuits, surveillance, smear campaigns and online rage.
The U.S. ranks as the 19th most dangerous country for women, 11th in maternal mortality, 30th in closing the gender pay gap, 75th in women’s political representation, and painfully lacks paid family leave and equal access to health care. But Ms. has always understood: Feminist movements around the world hold answers to some of the U.S.’s most intractable problems. Ms. Global is taking note of feminists worldwide.
This week: stories from Iran, Gaza, the International Olympic Committee, and more.
Even when it’s created at great personal risk, nothing can negate the power of art. So, too, the importance of friendship, which impacts our choices, shapes our ideas about the past, present and future, and changes lives.
These are central themes of The Friend’s House Is Here, a U.S.-Iranian co-production that won the U.S. Dramatic Special Jury Award for Ensemble Cast at Sundance this year. In their presentation of the award, the jury praised the film’s ensemble cast “for delivering performances that each of us could find ourselves in, revealing a story that is frighteningly universal. The ensemble injects the world with gravity, love, and humor, and shows us the way community and connection are often our key to survival.”
In a case of life imitating art, the film circulates through its own act of defiance: It had to be smuggled out of Tehran for it to be shown at Sundance.
(This is one in a series of film reviews from the 2026 Sundance Film Festival, focused on films by women, trans or nonbinary directors that tell compelling stories about the lives of women and girls.)
As mass protests and a deadly crackdown grip Iran, human rights lawyer Nasrin Sotoudeh speaks from Tehran while her husband, activist Reza Khandan, calls in from Evin Prison—offering a rare, firsthand account of repression, resistance and the stakes for democracy inside the country.
“My message has always been to use all non-violent means to persuade governments to uphold democracy and human rights. Small actions can have big impacts.”
“… You can’t bomb a country into democracy.”
Organizers of the 2026 Milano-Cortina Winter Olympics are touting “the most gender-balanced Olympic Winter Games in history,” reflecting years of pressure from athletes who have questioned why women and men do not always have the same number of events or chances to participate.
These gains did not happen on their own—they are the result of sustained advocacy by women athletes who have pushed the International Olympic Committee to expand women’s participation, add events, and commit to gender equity in both athlete quotas and medal opportunities. Even as parity edges closer, competitors and supporters continue to call out the remaining gaps—keeping the pressure on Olympic leadership to deliver full equality across all sports.
Like a 19th-century sugar cane plantation brought to life, Bad Bunny’s Super Bowl halftime show staged a visually rich jíbaro vision of Puerto Rico—the foundational cultural figure representing the island’s self-sufficient, hardworking mountain farmers—in Santa Clara, Calif., a region long shaped by Spanish colonization and U.S. expansion, on land where Ohlone (specifically Tamien/Tamyen) people lived alongside coastal Miwuk, Patwin and Yokut communities.
The show’s imagery underscored layered histories of colonization and empire that resonated beyond the stadium.
A love letter to Puerto Rico, its diaspora and Latino people across the globe, the performance suggested that love was indeed stronger than hate, as millions danced to the sounds of freedom, whether they recognized it or not.