Theatre and Performance Art

Artist Autumn Breon’s Requiem for Reproductive Freedom: Honoring Adriana Smith Through Performance

Autumn Breon is using performance and mixed media art to both celebrate Black women’s achievements and honor their struggles. Her latest performance, Dignity Denied, shines a light on the case of Adriana Smith.

“I wanted to show what lack of autonomy, what surveillance looks like, and durational performance felt like the best way to highlight her situation.”

“You might have a six-week abortion ban. You might have whatever other oppressive policies in place. We have always found ways to aid and abet each other, and we always will.”

‘Behind Every Ban Is a Body’: Idaho Activists Bring Abortion Truths to NYC Theater

and

On June 2, a new play, One Body: Dispatches from Idaho, brought the harrowing reality of Idaho’s abortion ban to the New York City stage. Performed at Theater 555 in midtown Manhattan, the one-woman show explores the devastating consequences of Idaho’s extreme abortion ban, drawing on over 30 interviews with women, doctors, lawmakers and activists.

“With One Body, we’re not just telling stories; we’re building infrastructure for change,” said Jen Jackson Quintano, an abortion activist and co-writer of the play. “By placing rural Idahoans’ experiences front and center—elevating stories too often silenced—we not only humanize the stakes of reproductive rights, we create a blueprint for community-centered activism that can travel anywhere.”

Organizers hope to spark momentum—and raise funds—for a nationwide tour and an off‑Broadway production of One Body in the future.

Weekend Reading on Women’s Representation: Honoring Stonewall’s Legacy; NYC Mayor Race Shows Benefits of Ranked-Choice Voting for Women

A compilation about women’s representation in politics, sports and entertainment, judicial offices and the private sector—with a little gardening mixed in!

This week:
— New York City Council Speaker Adrienne Adams is expected to qualify for public matching funds this week after a late surge in campaign donations, thanks to a surprising boost from a rival.
—progress made towards gender parity in international elections
—In South Korea’s June presidential election, young women played a pivotal role in electing Lee Jae-myung, leading one reporter to call it “the anti-anti-feminist election.”
—June is Pride Month, marking the anniversary of the 1969 Stonewall Uprising in New York City, a turning point in queer activism in the United States.

… and more.

Theater in the Time of Trump: Feminist Storytelling Against the Backdrop of Authoritarianism

The Trump administration’s assault on the John F. Kennedy Center for the Performing Arts continues, with another tranche of staff fired last Friday—employees in its government relations, marketing and social media departments. A prevailing question remains: What does the future of national public theater hold? Will the show(s) go on?

News of the latest job cuts overlapped with the one-year anniversary of opening night of the Broadway show Suffs. Its anniversary got me thinking about the vital role of feminist storytelling against the backdrop of authoritarianism. We know that in a robust democracy, live performance is not merely “nice to have” or an outlet for escape. The ideas to which we are exposed in the theater mean exponentially more: They are a measurement of our collective pulse, a gauge of our collective potential and a glimpse into how much farther forward we might propel (or fall).

With all that in mind, I headed off to Broadway to check out the shows I suspected might smack of such sensibility. With Tony nominations just one week away, here are recommendations for the hottest shows for which pro-democracy viewers can root.

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

Numerous English theatergoers considered seeing women on the public stage for the first time a pivotal moment.

The role of Desdemona, the devoted, loving wife murdered by her husband in Othello, wasn’t performed by a woman until 1660—about six decades after Shakespeare wrote the play. This is because when Shakespeare was writing for the early modern stage, young men and boys performed all the women’s parts.

Women’s History Month Is a Time for Optimism

Dispatches from Week 2 of Women’s History Month:

It’s Week 2 of Women’s History Month, and just knowing the federal government might well ban those three words in sequence—along with “gender,” “female,” “feminism” and about 250 others—you can bet I’m feeling extra rebellious as I write this column.

I am back from celebrating International Women’s Day (March 8) at South by Southwest. Among the festival keynotes, Chelsea Clinton urged that optimism is fundamentally a moral and political choice. Remaining optimistic, she remarked, is like “saying we do not have to accept the status quo. … We do accept that we may not be able to do everything all at once, but we can always do something.”

Women’s History Month is a solemn reminder that our reaction—and our commitment to action—also requires that we hold tight to the optimism our foremothers possessed.

Feminist Musicals ‘Teeth’ and ‘Suffs’ Steel Us for the Next Four Years

As feminist resistance faces a critical crossroads, Suffs and Teeth present two diverging paths: marching forward or tearing it all down.

It is the feminist movement’s challenge moving into a time that will most certainly require vigilance and resistance to consider how to reconcile these two paths forward. Will we keep marching? Or will we lick our teeth? 

One More Award Due to ‘Baby Reindeer’: Best Filming of a Rape Scene

Much ink has been spilled on the extraordinary series Baby Reindeer, especially its refusal to be reductive in depicting complex and charged sexually subjects and the groundbreaking nature of its portrayal of male-on-male sexual assault and its consequences. What gets overlooked: Baby Reindeer is a vivid, visceral lesson in how to film a rape scene.

The filming of episode four—the construction, the point of view, the relentless focus, the utter absence of sensationalism and exploitation—can serve as a valuable lesson in how to film a rape scene: steering difficult scenes away from the abuser’s point of view, placing them in a space that allows the audience to understand, defend and respect the survivor.

We Heart: Trans Activists Stage Peaceful (and Joyful) Dance Party Protest in Capitol Hill Women’s Restroom

Anyone walking into the bathroom on Capitol Hill Thursday morning found a buoyant dance party in progress: A group of trans artists and activists staged a protest in a women’s restroom in the U.S. Capitol, dancing to the song “Meeting in the Ladies Room” by the all-women pop and R&B band Klymaxx.

“It always starts with things that people feel are insignificant, like public restrooms, but it never stops there,” said Hope Giselle-Godsey, one of the Capitol Hill dancers. “We’re here today to ensure they understand that we will not be erased—one bathroom at a time—or shoved back into the proverbial closet out of deference to the comfort of those who speak to eradicate us.”