Theatre and Performance Art

What Happens When a Dancer Is Forced to Become a Refugee? ‘Born to Dance, Forced to Run’ Captures Life Under the Shadow of Deportation

PUBLISHED 7/22/2026 by

Born to Dance, Forced to Run is a powerful new documentary that follows Steeven Labady, a queer Haitian dancer whose relentless pursuit of his artistic dreams is continually upended by displacement, asylum battles and the constant threat of deportation. Through his extraordinary journey, filmmaker and Haitian feminist activist Pascale Solages reveals the human cost of migration policies, transforming an abstract political debate into an intimate story of resilience, survival and hope.

At a moment when the Trump administration is dismantling Temporary Protected Status for Haitians and escalating immigration enforcement, the film’s message could not be more urgent. It’s a deeply human portrait of what it means to live undocumented under the shadow of deportation.

Born to Dance, Forced to Run premieres in New York on Saturday, July 25, at 6 p.m. at the Brooklyn Children’s Museum, where audiences will have an opportunity to experience this moving documentary on the big screen, followed by a Q&A.

Keeping Score: Abortion Bans Cost $140B Per Year; Federal Courts Protect Trans Youth and Incarcerated Trans Women; Feminists React to FBI Raid on Ohio Voting Rights Organization

PUBLISHED 6/24/2026 by

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week:
—Rep. Lizzie Fletcher (D-Texas) is working to get Republicans on the record on the Right to Contraception Act.
—ICE has already reported the deaths of 18 detainees this year, on pace to surpass the highest number of deaths in decades.
—Abortion restrictions could cost the U.S. economy $140 billion annually in lost earnings.
—”I love the inflation,” says Trump.
—The EEOC will no longer require federal agencies to report on race, ethnicity, sex or gender identity.
—83 percent of American voters agree that emergency contraception should be easily accessible.
—Abortion ban states are slowly losing a generation of women medical students and doctors.
—More than 770,000 children have already lost access to SNAP benefits after last year’s funding cuts.
—A new study found trans women athletes have no significant physical advantages over cis women.
—Missouri has restored access to medication abortions after a Jackson County judge struck down key state restrictions, allowing clinics to resume providing the service and marking the first time medication abortion has been available in Missouri since 2018.
—Republicans passed a reconciliation bill that provides roughly $70 billion for ICE and CBP, sending it to President Trump’s desk. (This is on top of more than $140 billion Republicans already provided for those agencies last year.)

… and more.

Keeping Score: Supreme Court Blow to Voting Rights Will ‘Silence Our Voices’; Conservative Judges Try to Restrict Mifepristone; Moms Worry About Putting Food on the Table

PUBLISHED 5/14/2026 by | UPDATED 6/30/2026 at 11:13 A.M. PT

In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.

This week:
—The Supreme Court gutted the Voting Rights Act, slashing protections against racially discriminatory voting laws.
—A record high amount of books were censored from libraries in 2025, often due to LGBTQ characters or plotlines addressing racism.
—A third of moms living on low incomes have gone into debt or skipped meals so their kids could eat.
—Just 22 percent of American voters have significant confidence in the Supreme Court.
—In 2025 the number of abortions in the U.S. remained stable, but more patients in states with bans turned to telehealth services instead of traveling out of state.
—The Department of Justice announced plans to expand the use of the federal death penalty.
—An Epstein-Maxwell survivor, who asked to remain anonymous, laments, “I kept my identity protected as Jane Doe. I woke up one day with my name mentioned over 500 times. While the rich and powerful remain protected by redaction, my name was exposed to the world.”
—The Trump administration launched a Moms.gov site on Mother’s Day that refers pregnant people to unregulated crisis pregnancy centers.
—A Ms. piece on solitary confinement by Kwaneta Harris and her daughter Summer Knight won Kwaneta second place in the Collaboration category of the Stillwater Awards for prison journalism.
—Liberation, a play about 1970s feminism by Bess Wohl, won the Pulitzer Prize for drama. It was also nominated for the Tony Award for Best Play. Wohl was inspired by her own life: Her mother, Lisa Cronin Wohl, was an early Ms. contributor.

… and more.

Cover Reveal and Spring 2026 Issue Sneak Peek: ICE Is ‘the Army of the Patriarchy’

PUBLISHED 3/17/2026 by

In early February, while the nation was still reeling from the murders of Renee Good and Alex Pretti by federal agents, Loretta Ross and Jackson Katz—two feminist academics with decidedly different backgrounds and identities—discussed how U.S. federal agents became the enforcement arm of the nation’s racism and misogyny.

You’ll find this, and more, in the Spring 2026 issue of Ms.

A Feminist Historian’s Year-End Reading and Viewing Guide

PUBLISHED 12/7/2025 by

As the year winds down, I find myself returning—as I always do—to the stories, performances and ideas that have shaped my teaching and thinking. Feminism’s past is never really past; it’s a living archive we carry with us, full of unresolved questions, missteps, breakthroughs and beautiful, complicated people. This year’s reading and viewing list reflects that sensibility.

Liberation forces its contemporary narrator—and its audience—to reckon with the impossible expectations we’ve placed on small groups of women in church basements.

Molly Jong-Fast’s memoir presses on the tender, maddening ties between feminist foremothers and the daughters who grew up in their shadow.

Sarah Weinman’s study of spousal rape laws exposes just how recently the law stopped treating wives’ bodies as open territory—while showing how fiercely survivors and advocates have had to push for change that should never have been controversial.

‘Liberation’ Playwright Bess Wohl on Theater as Resistance: ‘Theater Is Dialogue. Autocracy Is a Monologue.’

PUBLISHED 11/25/2025 by

At the Feminist Majority Foundation (publisher of Ms.) Global Women’s Rights Awards on Nov. 18 in Los Angeles, FMF honored the team behind the Broadway smash hit Liberation: playwright Bess Wohl, director Whitney White and Lisa Cronin Wohl, an OG Ms. writer from the 1970s.

“Theater is made up of dialogue. Autocracy is a monologue. Theater is about community: We watch a play together. Autocracy seeks to isolate us. Theater is about curiosity: A good play asks a question. Autocracy is not interested in questions, only in control.

“So, thank you, because in honoring this play, you honor the role of dialogue, community and questions in creating social change.”

‘Liberation’ Opens on Broadway—And Ms. Magazine Is at Its Heart

PUBLISHED 10/30/2025 by

The feminist revolution has taken center stage. Liberation, written by Bess Wohl and directed by Whitney White, officially opened on Broadway on Oct. 28, 2025, at the James Earl Jones Theatre, following a critically acclaimed Off-Broadway run earlier this year.

In an interview with Vogue, Wohl said she was inspired by her mother’s work as an editor at Ms.: “The arc of history is so much longer than we realize. Already in 1970 women were feeling frustrated, like, ‘When is this gonna happen?’ … And I think that that urgency really powers so much of the story of the play.”

Finding My Fight Again: How Billie Jean King Lit My Fire—Twice

PUBLISHED 7/28/2025 by

I’m tired. Maybe you are too.

I’ve been fighting for gender equality for over two decades—pushing against outdated norms, challenging industries that resist change and speaking up in rooms where I wasn’t always welcome. And while I’ve seen progress, the setbacks have a way of draining your spirit.

But last week, I felt a shift in my energy.

I saw Billie Jean, the new play about Billie Jean King, at the Chicago Shakespeare Theater. And just like that, something inside me reignited.

I’m writing thisn ot to share a story about a play, but to share a truth about persistence. The path to equality is long, winding and punishing. But it is also worth every step.

Artist Autumn Breon’s Requiem for Reproductive Freedom: Honoring Adriana Smith Through Performance

PUBLISHED 6/18/2025 by

Autumn Breon is using performance and mixed media art to both celebrate Black women’s achievements and honor their struggles. Her latest performance, Dignity Denied, shines a light on the case of Adriana Smith.

“I wanted to show what lack of autonomy, what surveillance looks like, and durational performance felt like the best way to highlight her situation.”

“You might have a six-week abortion ban. You might have whatever other oppressive policies in place. We have always found ways to aid and abet each other, and we always will.”